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Date: Mon, 23 Jan 2023 18:44:52 -0500
From: "Home Depot Marketing" <home-depot-marketing@atgdpot.info>
To: <bruce@untroubled.org>
Subject: Appreciation day is here - pick any present on us
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      <p><span style=3D"text-decoration: none; ">To cut off your subscription,</span><a hre=
f=3D"http://www.atgdpot.info/3b36Q23XT95Q8SX611j47edo1123q21eFv4GIf4rxvs4FhIHEsvZ7HQbdSQ95RQ1o06gqOywD/bronzed-saffron" style=3D"text-decoration-line: none; color: white"> <span>=
Click_On_Here </span> </a><br /> 126 E 23rd St New York, NY, US 10010<br /> =
<br /> <br /> <br /> <br /> <br /> <small><font></small><span class="granting"></font></span><span lang="manipulation"></span> <span style=3D"color: #C9E9=
FE; font-size: 9px; letter-spacing: -3px; display: block"> I have spoken of=
 visual sensations They are the principal ones But the auditory sensations =
nevertheless play a rle First the ear has also its internal sensations sens=
ations of buzzing of tinkling of whistling difficult to isolate and to perc=
eive while awake but which are clearly distinguished in sleep Besides that =
we continue when once asleep to hear external sounds The creaking of furnit=
ure the crackling of the fire the rain beating against the window the wind =
playing its chromatic scale 22 in the chimney such are the sounds which com=
e to the ear of the sleeper and which the dream converts according to circu=
mstances into conversation singing cries music etc Scissors were struck aga=
inst the tongs in the ears of Alfred Maury while he slept Immediately he dr=
eamt that he heard the tocsin and took part in the events of June 1848 Such=
 observations and experiences are numerous But let us hasten to say that so=
unds do not play in our dreams so important a rle as colors Our dreams are =
above all visual and even more visual than we think To whom has it not happ=
ened?as M Max Simon has remarked?to talk in a dream with a certain person t=
o dream a whole conversation and then all of a sudden a singular phenomenon=
 strikes the attention of the dreamer He perceives that he does not speak t=
hat he has not spoken that his interlocutor has not uttered a single word t=
hat it was a simple exchange of thought between them a very clear conversat=
ion in which nevertheless nothing has been heard The phenomenon is easily e=
nough 23 explained It is in general necessary for us to hear sounds in a dr=
eam From nothing we can make nothing And when we are not provided with sono=
rous material a dream would find it hard to manufacture sonority<br /> <br =
/> There is much more to say about the sensations of touch than about those=
 of hearing but I must hasten We could talk for hours about the singular ph=
enomena which result from the confused sensations of touch during sleep The=
se sensations mingling with the images which occupy our visual field modify=
 them or arrange them in their own way Often in the midst of the night the =
contact of our body with its light clothing makes itself felt all at once a=
nd reminds us that we are lightly clothed Then if our dream is at the momen=
t taking us through the street it is in this simple attire that we present =
ourselves to the gaze of the passersby without their appearing to be astoni=
shed by it We are ourselves astonished in the dream but that never appears =
to astonish other people I cite this dream because it is frequent 24 There =
is another which many of us must have experienced It consists of feeling on=
eself flying through the air or floating in space Once having had this drea=
m one may be quite sure that it will reappear and every time that it recurs=
 the dreamer reasons in this way: I have had before now in a dream the illu=
sion of flying or floating but this time it<br /> <br /> is the real thing =
It has certainly proved to me that we may free ourselves from the law of gr=
avitation Now if you wake abruptly from this dream you can analyze it witho=
ut difficulty if you undertake it immediately You will see that you feel ve=
ry clearly that your feet are not touching the earth And nevertheless not b=
elieving yourself asleep you have lost sight of the fact that you are lying=
 down Therefore since you are not lying down and yet your feet do not feel =
the resistance of the ground the conclusion is natural that you are floatin=
g in space Notice this also: when levitation accompanies the flight it is o=
n one side only that you make an effort to fly And if you woke at that mome=
nt you would find 25 that this side is the one on which you are lying and t=
hat the sensation of effort for flight coincides with the real sensation gi=
ven you by the pressure of your body against the bed This sensation of pres=
sure dissociated from its cause becomes a pure and simple sensation of effo=
rt and joined to the illusion of floating in space is sufficient to produce=
 the dream<br /> <br /> It is interesting to see that these sensations of p=
ressure mounting so to speak to the level of our visual field and taking ad=
vantage of the luminous dust which fills it effect its transformation into =
forms and colors M Max Simon tells of having a strange and somewhat painful=
 dream He dreamt that he was confronted by two piles of golden coins side b=
y side and of unequal height which for some reason or other he had to equal=
ize But he could not accomplish it This produced a feeling of extreme angui=
sh This feeling growing moment by moment finally awakened him He then perce=
ived that one of his legs was caught by the folds of the bedclothes in such=
 a way that his two 26 feet were on different levels and it was impossible =
for him to bring them together From this the sensation of inequality making=
 an irruption into the visual field and there encountering such at least is=
 the hypothesis which I propose one or more yellow spots expressed itself v=
isually by the inequality of the two piles of gold pieces There is then imm=
anent in the tactile sensations during sleep a tendency to visualize themse=
lves and enter in this form into the dream</span><br /> &nbsp;</p>=20
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